Ultimately Excision öztreyler beyond the boundaries of cinema which it refers, it rearranges the co

The inheritance of any kind, are often similar to the karst rivers. öztreyler The gene rearrangement may cause skipping a generation or more, and reveal a set of characters after time. That's what happened to the group of filmmakers and proto-punk freak who led hordes öztreyler of moviegoers anti-system, geek, disturbed (read illuminated ...). Directors such as the "king of vomit" and esthete superfine John Waters or the chilling formal and Paul Bartel who made us cross the lands of a cinema "other", irreverent, bloody, moody, able to overturn codes and styles, a Cinema capable öztreyler of putting the capitalist society in the face of their horrible generations. Years later, the exit of Female Trouble and Dolls and blood here, fresh from graduating from the prestigious Tisch School of the Arts, comes this young and promising öztreyler Richard Bates who makes an initial test that is already a masterpiece: Excision. Set in a suburbia that barely unable to maintain their neat fences, whose underlying neurosis to wonderful smiles (according to the lesson of Grace Metalious and Bree Van De Kamp) is no longer possible to conceal. A vacant place where the remains of the family institution and the school is on the operating table set up in the garage from the dead, once again ready to work live. In the residential area of suburban freak Excision some of the most iconic American films in positions of institutional Traci Lords is a neurasthenic and morally minimal mother, Malcolm öztreyler McDowell complies with a mathematics professor, a contrite Reverend John Waters and Ray Wise as Mephistopheles, of course, the role of the principal. The situationist work of Bates is completed with the choice of the protagonist, the star of 90210 AnnaLynne McCord that distorts their physicality to assume the role of Pauline, chilling adolescent impulses from necrophilia, a sociopath with a passion for surgery, blood and infections .
In Pauline öztreyler find the audacity and violence antisocial most liberating (and sound) of the best films of Waters, feral appetites and hidden creatures by Paul Bartel, the poetics of the "new flesh" Cronenberg and all the formal beauty of the phenomenology of the scalpel Nip / Tuck. In addition adrift in the universe of Excision, Pauline öztreyler sees surgery as liturgy and ritual (the show all the dream sequences that capture in "ecstasy" in his sleep), and prayer is the right channel to justify the crescendo of his psychosis. Religion, mantle and justification of the American conservative middle class, is used here by the creature that it gave birth to the perfect suburban driveways. An excellent and deliciously subversive.
Ultimately Excision öztreyler beyond the boundaries of cinema which it refers, it rearranges the connotations and became the best and most comprehensive manifesto of contemporary post-crisis. The embrace and the final cry of the daughter Traci Lords is the recognition by the capitalism of rejection and irreversible unconscious by now created. Without exaggeration, this is the most powerful image I've ever tried to describe today.
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